Sunday, October 9, 2005

Motorless Carpet Sweeper

There come a day

Actually it's not my way of skipping over lousy translations of English-language journalists, but the article about the republication of Bill Fay albums in the SZ of Wednesday, I even a somewhat well hung beginning of a sentence worth

" The contribution of Wilco's Glenn Kotche and Jim O'Rourke was a cover of Bill Fay's song" Pictures of Adolf Again ", a piano-driven number that is as beautiful as cheesy painfully flat and the Who-not-for-us- is-the-is-against-us attitude rather in the world of George W. Bush seems to belong, as in that of his opponent, except by the song itself as a helpless cry, what a compels in the end, however, rather sorry for the creator of this song, apparently with his Manichean worldview does not come zurande. "

is there a contemporary interpretation Fays during the U.S. invasion of Iraq. David Grubbs , this writer, incidentally, was a long time Jim O'Rourke's musical partner in Gastr del Sol and its syntax belated revenge assume for the separation or worse to do, then probably it dared to. Rather one is inclined to extend Bakhtin's theory of the polyphonic novel, the newspaper article, for here speak both author and translator. In such a way as if they came with Fay's Manichean opposition of great orchestration and flat textualisation quite well.

"Bill Fay" and "Time of the Last Persecution" have deserved long ago are finally praised in the German press to the skies, because notice how the two so aptly: "It is of course mallet hard an album full of lyrical platitudes in a wordless fever to begin or end but in this case it works eerily beautiful. " Right, because Subversion can also at the lowest Level work, how a line like "Christ or Hitler, Stalin or Christ, Christ or the Caesars to come" demonstrates only too vividly. For the printed next to the item love poem to Yvonne Elliman is not that way.

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